Here, we visit the portion of Bahian music that had a strong impact on the local scene, without transcending borders leaving the regional character label (and whether or not it transcended these borders). Particularly relevant is the explosion of Samba-reggae in the 1980s, which also contributed to the dissolution of remains of racial prejudice, further integrating the Bahian identity. His most important moments are represented here, through the singles by Djalma Oliveira featuring Margareth Menezes, by Gerônimo in Eu sou Negão, in Lazzo Matumbi's Do Jeito que seu Nego Gosto, or fundamental albums by Olodum and Daniela Mercury.

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